o/~ today's music ain't got the same soul... o/~
I have a very varied taste in music. I can stand most types of it (though rap can sometimes send me fleeing), but I tend to like very folksy type music. My first great love for a musician's words was when I made the acquaintance of Paul Simon's work, but I've branched from there. Simon remains one of my favorite musicians though.
The mp3 revolution, despite the problems with copyrights, has probably broadened my musical horizons above anything else I could do. I have found a lot of groups I've liked by friends pointing me to obscure groups and musicians. Some of this stuff is things the major record labels would never sign.
And it was simply this interest in digital music that pushed me into the direction of studying how this impacted society. Between the MPAA and the DeCSS fiasco, and the RIAA and mp3s, I grew more interested in the ramifications of copyright in the digital age.
To a lesser extent, the music got me into playing guitar, but unfortunately I've had to put that down for quite a while due to an RSI injury to my left hand.
"Those who do not know their history..."
Being a history major taught me two things: a) how to get to the meaning of a text and analyze what the author is saying and how it fits into the historical record and b) that I'd never make it as a professional historian. I've got this crazy idea of history as a story. Most professionals frown on that, and the more's the pity, because I've found people get interested a lot more quickly if history is taught as a story, and not as a bunch of cold and dry facts.
Still, though, I've never lost my wonder and awe at being an amateur historian, and I like reading random books on the subject. I also like telling people history, as a story, a trail of randoms that lead to something happening.
It sounds silly, but it's something I enjoy.